Painting : The History

The oldest known paintings are at the Grotte Chauvet in France, claimed by some historians to be about 32,000 years old. They are engraved and painted using red ochre and black pigment and show horses, rhinoceros, lions, buffalo, mammoth or humans often hunting. However the earliest evidence of painting has been discovered in two rock-shelters in Arnhem Land, in northern Australia. In the lowest layer of material at these sites there are used pieces of ochre estimated to be 60,000 years old. Archaeologists have also found a fragment of rock painting preserved in a limestone rock-shelter in the Kimberley region of North-Western Australia, that is dated 40 000 years old. [1]There are examples of cave paintings all over the world—in France, Spain, Portugal, China, Australia, India etc.

In Western cultures oil painting and watercolor painting are the best known media, with rich and complex traditions in style and subject matter. In the East, ink and color ink historically predominated the choice of media with equally rich and complex traditions.


Painting styles

'Style' is used in two senses: It can refer to the distinctive visual elements, techniques and methods that typify an individual artist's work. It can also refer to the movement or school that an artist is associated with. This can stem from an actual group that the artist was consciously involved with or it can be a category in which art historians have placed the painter. The word 'style' in the latter sense has fallen out of favor in academic discussions about contemporary painting, though it continues to be used in popular contexts. Such movements or classifications include the following :


Western styles

* Abstract
* Abstract Expressionism
* Art Brut
* Art Deco
* Baroque
* Body painting
* CoBrA
* Color Field
* Constructivism
* Contemporary Art
* Cubism
* Digital painting
* Expressionism
* Fauvism
* Figuration Libre
* Folk
* Futurism
* Graffiti
* Hard-edge
* Hyperrealism
* Impressionism
* Lyrical Abstraction
* Mannerism
* Minimalism
* Modernism
* Naïve art
* Neo-classicism
* Op art
* Orientalism
* Orphism
* Outsider
* Painterly
* Photorealism
* Pinstriping
* Pluralism
* Pointillism
* Pop art
* Post-painterly Abstraction
* Postmodernism
* Precisionism
* Primitive
* Realism
* Regionalism
* Rococo
* Romantic realism
* Romanticism
* Socialist realism
* Street Art
* Stuckism
* Surrealism
* Tachism
* Tonalism



Eastern styles

Far eastern

* Chinese
o Tang Dynasty
o Ming Dynasty
o Shan shui
o Ink and wash painting
o Hua niao
o Southern School
+ Zhe School
+ Wu School
o Contemporary
* Japanese
o Yamato-e
o Rimpa school
o Emakimono
o Kanō school
o Shijō school
* Korean

thanks rajesh for the information

Nice information Rajesh.didn't mentioned in which category our traditional Indian Art falls.Our land is the primitive motherland of most of the art forms.

Thanks for sharing.

Thanks for sharing the information. We would like to know more regarding each style as well if possible.
Thank you.
vidya

Originally Posted by Vidu29

Thanks for sharing the information. We would like to know more regarding each style as well if possible.
Thank you.
vidya

Hi vidu

Sure I will elaborate each and every style soon and I will update them here in this topic.

such a big list
but i dont even know many of them hehe

Western styles

* Abstract
Abstract art uses a visual language of form, color and line to create a composition which may exist with a degree of independence from visual references in the world. Western Art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality. The arts of cultures other than the European had become accessible and showed alternative ways of describing visual experience to the artist. By the end of the 19th century many artists felt a need to create a new kind of art which would encompass the fundamental changes taking place in technology, science and philosophy.

Abstract art, nonobjective art, and nonrepresentational art, are loosely related terms. They are of similar, although perhaps not identical meaning.


* Abstract Expressionism

Abstract expressionism was an American post–World War II art movement. It was the first specifically American movement to achieve worldwide influence and put New York City at the center of the western art world, a role formerly filled by Paris.

Although the term "abstract expressionism" was first applied to American art in 1946 by the art critic Robert Coates, it had been first used in Germany in 1919 in the magazine Der Sturm

* Art Brut

The term outsider art was coined by art critic Roger Cardinal in 1972 as an English synonym for art brut (French: [aʁ bʁyt], "raw art" or "rough art"), a label created by French artist Jean Dubuffet to describe art created outside the boundaries of official culture; Dubuffet focused particularly on art by insane-asylum inmates.

Outsider art has emerged as a successful art marketing category (an annual Outsider Art Fair has taken place in New York since 1992). The term is sometimes misapplied as a catch-all marketing label for art created by people outside the "art world" mainstream, regardless of their circumstances or the content of their work.

* Art Deco

Art Deco was a popular international art design movement from 1925 until 1939, affecting the decorative arts such as architecture, interior design, and industrial design, as well as the visual arts such as fashion, painting, the graphic arts, and film. At the time, this style was seen as elegant, glamorous, functional, and modern.

Art Deco experienced a decline in popularity during the late 30s and early 40s, and soon fell out of public favor. It experienced a resurgence with the popularization of graphic design in the 1980s. Art Deco had a profound influence on many later artistic movements, such as Memphis and Pop art.

* Baroque

In the arts, the Baroque (pronounced /bəˈroʊk/, bə-rohk) was a Western cultural period, starting roughly at the beginning of the 17th century in Rome, Italy.

The popularity and success of the Baroque style was encouraged by the Roman Catholic Church, which had decided at the time of the Council of Trent that the arts should communicate religious themes in direct and emotional involvement.[1] The aristocracy also saw the dramatic style of Baroque architecture and art as a means of impressing visitors and expressing triumphant power and control. Baroque palaces are built around an entrance of courts, grand staircases and reception rooms of sequentially increasing opulence.

* Body painting

Body painting, or sometimes bodypainting, is a form of body art, considered by some as the most ancient form of art. Unlike tattoo and other forms of body art, body painting is temporary, painted onto the human skin, and lasts for only several hours, or at most (in the case of Mehndi or "henna tattoo") a couple of weeks. Body painting that is limited to the face is known as face painting. Body painting is also referred to as (a form of) temporary tattoos; large scale or full-body painting is more commonly referred to as body painting, while smaller or more detailed work is generally referred to as temporary tattoos.


* Color Field

Color Field painting is a style of abstract painting that emerged in New York City during the 1940s and 1950s. Inspired by European modernism and closely related to Abstract Expressionism with many of its important early proponents being among the pioneering Abstract Expressionists. Color Field painting is characterized primarily by large fields of flat, solid color, spread across or stained into the canvas; creating areas of unbroken surface and a flat picture plane. With less emphasis placed on gesture, brushstrokes and action and more emphasis placed on overall consistency of form and process.

* Constructivism

Constructivism was an artistic and architectural movement that originated in Russia from 1919 onward which rejected the idea of "art for art's sake" in favour of art as a practice directed towards social purposes. Constructivism as an active force lasted until around 1934, having a great deal of effect on developments in the art of the Weimar Republic and elsewhere, before being replaced by Socialist Realism. Its motifs have sporadically recurred in other art movements since.

* Contemporary Art

Contemporary art can be defined variously as art produced at this present point in time or art produced since World War II. The definition of the word contemporary would support the first view, but museums of contemporary art commonly define their collections as consisting of art produced since World War II.

* Cubism

Cubism was a 20th century avant-garde art movement, pioneered by Pablo Picasso and Georges Braque, that revolutionized European painting and sculpture, and inspired related movements in music and literature. The first branch of cubism, known as "Analytic Cubism", was both radical and influential as a short but highly significant art movement between 1907 and 1911 in France. In its second phase, Synthetic Cubism, the movement spread and remained vital until around 1919, when the Surrealist movement gained popularity.

* Digital painting

Digital painting is an emerging art form in which traditional painting techniques such as watercolor, oils, impasto, etc. are applied using digital tools by means of a computer, a digitizing tablet and stylus, and software. Traditional painting is painting with a physical medium as opposed to a more modern style like digital. Digital painting differs from other forms of digital art, particularly computer-generated art, in that it does not involve the computer rendering from a model.
The artist uses painting techniques to create the digital painting directly on the computer. All digital painting programs try to mimic the use of physical media through various brushes and paint effects. Included in many programs are brushes that are digitally styled to represent the traditional style like oils, acrylics, pastels, charcoal, pen and even media such as airbrushing.

* Expressionism

Expressionism was a cultural movement originating in Germany at the start of the 20th-century as a reaction to positivism and other artistic movements such as naturalism and impressionism. It sought to express the meaning of "being alive" and emotional experience rather than physical reality. It is the tendency of an artist to distort reality for an emotional effect; it is a subjective art form. Expressionism is exhibited in many art forms, including painting, literature, theatre, film, architecture and music. The term often implies emotional angst. In a general sense, painters such as Matthias Grünewald and El Greco can be called expressionist, though in practice, the term is applied mainly to 20th century works.

* Fauvism

Les Fauves (French for The Wild Beasts) were a short-lived and loose grouping of early 20th century Modern artists whose works emphasized painterly qualities and strong colour over the representational or realistic values retained by Impressionism. While Fauvism as a style began around 1900 and continued beyond 1910, the movement as such lasted only three years, 1905–1907, and had three exhibitions.[1] The leaders of the movement were Henri Matisse and André Derain

* Figuration Libre

Figuration Libre (Free figuration) is a French art movement of the 1980s. It is the French equivalent of Bad Painting and Neo-expressionism in America and Europe, Junge Wilde in Germany and Transvanguardia in Italy. The term was coined by Fluxus artist Ben Vautier.

The group was formed in 1981 by Robert Combas, Remi Blanchard, François Boisrond and Hervé Di Rosa.Other figures include Richard Di Rosa and Louis Jammes. Between 1982 and 1985, these artists exhibited alongside their American counterparts Keith Haring, Jean-Michel Basquiat, and Kenny Scharf in New York City, London, Pittsburgh and Paris.

Figuration Libre (Free Figuration) can be translated as “Free Style”.


* Folk

Folk art is an improvised art style. Artists who use this style of visual art produce images depicting life experiences in a narrative format. Folk Art or artist should not be identified base on academic achievement, traditional accolades nor by the medium it is produce on. Folk art like folk music has a begin and no end, just a pause. Many artist who claim folk art as their genre, normally create their art based on experiences, memory or recollection of life told or lived.


* Futurism

Futurism was an art movement that originated in Italy in the early 20th century. It was largely an Italian phenomenon, though there were parallel movements in Russia, England and elsewhere.

The Futurists practiced in every medium of art, including painting, sculpture, ceramics, graphic design, industrial design, interior design, theatre, film, fashion, textiles, literature, music, architecture and even gastronomy.

* Graffiti
Graffiti (singular: graffito; the plural is used as a mass noun) is the name for images or lettering scratched, scrawled, painted or marked in any manner on property. Graffiti is sometimes regarded as a form of art and other times regarded as unsightly damage or unwanted.

* Hard-edge
Hard-edge painting is painting in which abrupt transitions are found between color areas. Color areas are often of one unvarying color. Color transitions often take place along straight lines, though curvilinear edges of color areas are also common. The Hard-edge painting style is related to Geometric abstraction, Op Art, Post-painterly Abstraction, and Color Field painting.

* Hyperrealism
Hyperrealism is a genre of painting and sculpture resembling a high resolution photograph. Hyperrealism is a fully-fledged school of art and can be considered as an advancement of Photorealism by the methods used to create the resulting photorealistic paintings or sculptures. The term is primarily applied to an independent art movement and art style in the United States and Europe that has recently developed since the early 2000s

* Impressionism
Impressionism was a 19th-century art movement that began as a loose association of Paris-based artists exhibiting their art publicly in the 1860s. The name of the movement is derived from the title of a Claude Monet work, Impression, Sunrise (Impression, soleil levant), which provoked the critic Louis Leroy to coin the term in a satiric review published in Le Charivari.

Characteristics of Impressionist paintings include visible brush strokes, open composition, emphasis on light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, the inclusion of movement as a crucial element of human perception and experience, and unusual visual angles.

* Lyrical Abstraction
Lyrical Abstraction refers to two related but distinctly separate movements in Post-war Modernist painting. European Lyrical Abstraction is an art movement born in Paris in 1945. The French critic Charles Estienne created its name in 1946.

* Mannerism
Mannerism is a period of European art that emerged from the later years of the Italian High Renaissance around 1520. It lasted until about 1580 in Italy, when a more Baroque style began to replace it, but Northern Mannerism continued into the early 17th century throughout much of Europe.Stylistically, Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals and restrained naturalism associated with artists such as Leonardo da Vinci, Raphael, and early Michelangelo. Mannerism is notable for its intellectual sophistication as well as its artificial (as opposed to naturalistic) qualities.

* Minimalism
Minimalism describes movements in various forms of art and design, especially visual art and music, where the work is stripped down to its most fundamental features. As a specific movement in the arts it is identified with developments in post-World War II Western Art, most strongly with American visual arts in the late 1960s and early 1970s. Prominent artists associated with this movement include Donald Judd, Agnes Martin, Robert Morris, and Frank Stella. It is rooted in the reductive aspects of Modernism, and is often interpreted as a reaction against Abstract Expressionism and a bridge to Postmodern art practices.

* Modernism
Modernism, in its broadest definition, is modern thought, character, or practice. More specifically, the term describes both a set of cultural tendencies and an array of associated cultural movements, originally arising from wide-scale and far-reaching changes to Western society in the late nineteenth and early twentieth century. The term encompasses the activities and output of those who felt the "traditional" forms of art, architecture, literature, religious faith, social organization and daily life were becoming outdated in the new economic, social and political conditions of an emerging fully industrialized world.

* Naïve art
Naïve art is characterized by a childlike simplicity. (See also outsider art, to which it bears many similarities.) It is a gross oversimplification to assume that Naïve art is created by people with little or no formal art training.

* Neo-classicism
Neoclassicism (sometimes rendered as Neo-Classicism or Neo-classicism) is the name given to quite distinct movements in the decorative and visual arts, literature, theatre, music, and architecture that draw upon Western classical art and culture (usually that of Ancient Greece or Ancient Rome). These movements were dominant during the mid 18th to the end of the 19th century. This article addresses what these "neoclassicisms" have in common.

* Op art
Op art, also known as optical art, is a genre of visual art that makes use of optical illusions.

"Optical Art is a method of painting concerning the interaction between illusion and picture plane, between understanding and seeing."[1] Op art works are abstract, with many of the better known pieces made in only black and white. When the viewer looks at them, the impression is given of movement, hidden images, flashing and vibration, patterns, or alternatively, of swelling or warping.

* Orientalism
Orientalism refers to the imitation or depiction of aspects of Eastern cultures in the West by writers, designers and artists. An "Orientalist" may be a person engaged in these activities, but it is also the traditional term for any scholar of Oriental studies. Orientalism was more widely used in art history referring mostly to the works of French artists in the 19th century, whose subject matter, color and style used elements from their travel to the Mediterranean countries of North Africa and the Near East (or western Asia).

* Orphism
Orphism or Orphic cubism, is a term coined by the French poet Guillaume Apollinaire in 1912. He used the French term Orphisme to label the paintings of Robert Delaunay, relating them to Orpheus, the poet and symbol of the arts of song and the lyre in Greek mythology. The term may also be used in reference to the paintings of Delaunay's wife, Sonia Terk and to the Czech painter, František Kupka along with other members of the Puteaux Group. Another name for the group was Section d'Or.

* Painterly
Painterly is a translation of the German term malerisch, one of the opposed categories popularized by Swiss art historian Heinrich Wölfflin (1864 - 1945) in order to help focus, enrich and standardize the terms being used by art historians of his time to characterize works of art. The opposite character is linear, plastic or formal linear design.[1] The term painterly has been applied to styles such as Venetian painting (as opposed to the Florentine), Baroque (as opposed to Renaissance) and the Rubenistes (as opposed to the Poussinistes).

* Photorealism
Photorealism is the genre of painting based on making a painting from a photograph. The term is primarily applied to paintings from the United States photorealism art movement that began in the late 1960s, early 1970s. More recently, a splinter art movement called hyperrealism has developed.

* Pinstriping
Pin striping (pinstriping) is the application of a very thin line of paint or other material called a pin stripe, and is generally used for decoration. Freehand pin stripers use a specialty brush known as a pinstriping brush. Fine lines in textiles are also called pin stripes.

Automotive, bike shops, and do-it-yourself car and motorcycle mechanics use paint pin striping to create their own custom look on the automotive bodies and parts.

* Pointillism
Pointillism is a style of painting in which small distinct dots of color create the impression of a wide selection of other colors and blending. Aside from color "mixing" phenomena, there is the simpler graphic phenomenon of depicted imagery emerging from disparate points. Historically, Pointillism has been a figurative mode of executing a painting, as opposed to an abstract modality of expression.

The technique relies on the perceptive ability of the eye and mind of the viewer to mix the color spots into a fuller range of tones and is related closely to Divisionism, a more technical variant of the method. It is a style with few serious practitioners and is notably seen in the works of Seurat, Signac and Cross. The term Pointillism was first coined by art critics in the late 1880s to ridicule the works of these artists and is now used without its earlier mocking connotation.


* Pop art

Pop art is a visual art movement that emerged in the mid 1950s in Britain and in the late 1950s in the United States.Pop art challenged tradition by asserting that an artist's use of the mass-produced visual commodities of popular culture is contiguous with the perspective of fine art. Pop removes the material from its context and isolates the object, or combines it with other objects, for contemplation. The concept of pop art refers not as much to the art itself as to the attitudes that led to it.




* Post-painterly Abstraction

Post-painterly Abstraction is a term created by art critic Clement Greenberg as the title for an exhibit he curated for the Los Angeles County Museum of Art in 1964, which subsequently travelled to the Walker Art Center and the Art Museum of Toronto (which later became the Art Gallery of Ontario).

Greenberg had perceived that there was a new movement in painting which derived from the Abstract Expressionism of the 1940s and 1950s but "favored openness or clarity" as opposed to the dense painterly surfaces of that painting style.


* Postmodernism

Postmodern art is a term used to describe an art movement which was thought to be in contradiction to some aspect of modernism, or to have emerged or developed in its aftermath. In general movements such as Intermedia, Installation art, Conceptual Art and Multimedia, particularly involving video are described as postmodern. The traits associated with the use of the term postmodern in art include bricolage, use of words prominently as the central artistic element, collage, simplification, appropriation, depiction of consumer or popular culture and Performance art.


* Precisionism

Precisionism, also known as Cubist Realism,was an artistic movement that emerged in the United States after World War I and was at its height during the inter-War period. The term itself was first coined in the early 1920s.


* Realism

Realism in the visual arts and literature is the depiction of subjects as they appear in everyday life, without embellishment or interpretation. The term also describes works of art which, in revealing a truth, may emphasize the ugly or sordid.


* Regionalism

Regionalism is an American realist modern art movement that was popular during the 1930s. The artistic focus was from artists who shunned city life, and rapidly developing technological advances, to create scenes of rural life. Regionalist style was at its height from 1930 to 1935, and is best-known through the so-called "Regionalist Triumvirate" of Grant Wood in Iowa, Thomas Hart Benton in Missouri, and John Steuart Curry in Kansas. During the Great Depression of the 1930s, Regionalist art was widely appreciated for its reassuring images of the American heartland.

* Rococo

Rococo is a style of 18th century French art and interior design. Rococo rooms were designed as total works of art with elegant and ornate furniture, small sculptures, ornamental mirrors, and tapestry complementing architecture, reliefs, and wall paintings. It was largely supplanted by the Neoclassic style.


* Romantic realism

Romantic realism is an aesthetic term that usually refers to art combines elements of both romanticism and realism. Although the terms "romanticism" and "realism" have been used in varied ways, they are typically seen as opposed to one another. Romantic realists combine elements from each tradition.


* Romanticism

Romanticism is a complex artistic, literary, and intellectual movement that originated in the second half of the 18th century in Western Europe, and gained strength during the Industrial Revolution. It was partly a revolt against aristocratic social and political norms of the Age of Enlightenment and a reaction against the scientific rationalization of nature, and was embodied most strongly in the visual arts, music, and literature.

* Socialist realism

Socialist realism is a teleologically-oriented style of realistic art which has as its purpose the furtherance of the goals of socialism and communism. Although related, it should not be confused with social realism, a type of art that realistically depicts subjects of social concern.

* Street Art

Street art is any art developed in public spaces — that is, "in the streets" — though the term usually refers to unsanctioned art, as opposed to government sponsored initiatives. The term can include traditional graffiti artwork, stencil graffiti, sticker art, wheatpasting and street poster art, video projection, art intervention, guerrilla art, flash mobbing and street installations. Typically, the term Street Art or the more specific Post-Graffiti is used to distinguish contemporary public-space artwork from territorial graffiti, vandalism, and corporate art.

* Stuckism

Stuckism is an international art movement that was founded in 1999 in Britain by Billy Childish (who left in 2001) and Charles Thomson to promote figurative painting in opposition to conceptual art.[1] The Stuckists formed as an alternative to the Charles Saatchi-patronised Young British Artists (also known as Brit Art or YBAs). The original group of thirteen artists has since expanded, as of April 2009, to 193 groups in 45 countries.


* Surrealism

Surrealism is a cultural movement that began in the early 1920s, and is best known for the visual artworks and writings of the group members.

Surrealist works feature the element of surprise, unexpected juxtapositions and non sequitur; however, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost, with the works being an artifact.


* Tachism

Tachisme (alternative spelling: Tachism, derived from the French word tache - stain) was a French style of abstract painting in the 1940s and 1950s. It is often considered to be the European equivalent to abstract expressionism. Other names for this movement are L'Art Informel (similar to action painting) and abstraction lyrique (related to American Lyrical Abstraction). The Cobra group artists are also related to Tachisme, as is Japan's Gutai group.

* Tonalism

Tonalism (1880 to 1915) is an artistic style that emerged in the 1880s when American artists began to paint landscape forms with an overall tone of colored atmosphere or mist. Dark, neutral hues, such as gray, brown or blue, would usually dominate such compositions. During the late 1890s American art critics began to use the term "tonal" to describe these works. Two of the leading painters associated with this style are George Inness and James McNeill Whistler.

Tonalism is also sometimes used to describe American landscapes derived from the French Barbizon style, which employs an emphasis on mood and shadow. Tonalism, in both its forms, was eclipsed by the popularity of Impressionism and European modernism.