<![CDATA[IndusLadies - Blogs - Slokams& Bhajans for kids by gsaikripa]]> http://www.indusladies.com/forums/blogs/gsaikripa/ IndusLadies is a global online community of Indian Ladies. Discuss and share ideas about topics interesting to Indian Women. They discuss about Cooking,Recipes,Pregnancy,Parenting,Shopping,Articles,Snippets,jokes,work from home,marriage and family,etc. en Sun, 22 Nov 2009 14:34:56 GMT vBulletin 60 http://www.IndusLadies.com/forums/images/006/misc/rss.jpg <![CDATA[IndusLadies - Blogs - Slokams& Bhajans for kids by gsaikripa]]> http://www.indusladies.com/forums/blogs/gsaikripa/ <![CDATA[பழமொழிகள்]]> http://www.indusladies.com/forums/blogs/gsaikripa/2986-2996-2990-3018-2996-2440/ Fri, 11 Sep 2009 06:54:28 GMT பழமொழிகள்


அகல இருந்தால் நிகள உறவு, கிட்டவந்தால் முட்டப் பகை.
அச்சாணி இல்லாத தேர் முச்சாணும் ஓடாது
அஞ்சிலே வளையாதது ஐம்பதிலே வளையுமா?
அடக்கமே பெண்ணுக்கு அழகு.
அழுகிற ஆணையும், சிரிக்கிற பெண்ணையும் நம்பக்கூடாது.
அழுத பிள்ளை பால் குடிக்கும்.
அழுதாலும் பிள்ளை அவளே பெற வேண்டும்.
ஆலும் வேலும் பல்லுக்குறுதி
ஆலை இல்லாத ஊரிலே இலுப்பைப் பூச்சக்கரை.
ஆழமறியாமல் காலை இடாதே.
ஆறிலுஞ் சாவு நூறிலுஞ் சாவு.
ஆறின கஞ்சி பழங் கஞ்சி.
ஆனை வரும் பின்னே. மணி ஓசை வரும் முன்னே
இக்கரை மாட்டுக்கு அக்கரை பச்சை.
இளங்கன்று பயமறியாது
உண்டு கொழுத்தால் நண்டு வலையில் இராது.
உரலில் அகப்பட்டது உலக்கைக்கு தப்புமா?
நெருப்பில்லாது புகையாது
எய்தவன் இருக்க அம்பை நோவானேன் ?..
எரிகிறதைப் பிடுங்கினால் கொதிக்கிறது அடங்கும்.
எரிகிற வீட்டில் பிடுங்கினது இலாபம். எருமை வாங்கும் முன்னே நெய் விலை கூறாதே.
எறும்பு ஊர கல்லுந் தேயும்.
ஏழைபேச்சு அம்பலம் ஏறாது
ஐயர் வருகிற அமாவாசை நிற்குமா...
ஒரு கை தட்டினால் ஓசை எழும்புமா?.
ஒரு கை (அல்லது வெறுங்கை) முழம் போடுமா.
நன்றி செய்தவரை உள்ள அளவும் நினை
ஒரு பானைச் சோற்றுக்கு ஒரு சோறு பதம்.
கட்டினவனுக்கு ஒரு வீடானால் கட்டாதவனுக்கு பல வீடு. ]]> gsaikripa http://www.indusladies.com/forums/blogs/gsaikripa/2986-2996-2990-3018-2996-2440/ Tamil Thai Vazhthu-Lyrics http://www.indusladies.com/forums/blogs/gsaikripa/tamil-thai-vazhthu-lyrics-2246/ Sun, 19 Jul 2009 11:21:47 GMT *Tamil Thai Vazhthu-Lyrics* *Neeraarum kadaluduththa nilamadandhai kezhilolugum... Seeraarum vadhanamena thihazh baradha kandamidhil... Thekkanamum adhil chirandha Dravida nal thiru naadum... Thakkasiru pirai nudhalum thari thanarum thilagamume... Tamil Thai Vazhthu-Lyrics

Neeraarum kadaluduththa nilamadandhai kezhilolugum...

Seeraarum vadhanamena thihazh baradha kandamidhil...

Thekkanamum adhil chirandha Dravida nal thiru naadum...

Thakkasiru pirai nudhalum thari thanarum thilagamume...

Aththilaga vaasanai pol anaithulagum inbamura...

Yeththisayum puhazh manakka irundha perum Thamizhanange!!!
Thamizhanange!!!

Vun seerilamai thiram viyandhu seyal marandhu Vazhthudhume!!!
Vazhthudhume!!!
Vazhthudhume!!!
************************************************** ************
(Oh Tamil Country!) you are beautifully clad in the wavy rivers and seas;

Your chiseled face shines amidst the famous Barath sub-continent;

You are the elite Dravidian country in the Deccan;

Your small forehead shines like the crescent with a distinct "thilagam";

Like the fragrance of the "thilagam" rejoiced by the entire world,

Your great name and fame is known in all directions;

Oh Tamil Angel! Oh Tamil Angel!

Your majestic, youthful industriousness makes us spell bound and wish all the best for you, all the best! all the best! ]]> gsaikripa http://www.indusladies.com/forums/blogs/gsaikripa/tamil-thai-vazhthu-lyrics-2246/ Glory of Lord Sri Rama’s Character. http://www.indusladies.com/forums/blogs/gsaikripa/glory-lord-sri-rama-s-2155/ Mon, 29 Jun 2009 05:46:39 GMT Glory of Lord Sri Rama’s Character

· Sincerity in friendship & nobility in enmity
· Love & affection for his people
· Reverence to God,Guru & Parents
· Commitment to righteousness
· Strict adherence to values & virtues
· Embodiment of Truth & justice
· Dignity with simplicity
· Magnanimity with humility
· Valour with nobility
· Grace & sympathy
· Detached attachment ]]> gsaikripa http://www.indusladies.com/forums/blogs/gsaikripa/glory-lord-sri-rama-s-2155/ <![CDATA[என் தாத்தாவின் நூற்றாண்டு விழா]]> http://www.indusladies.com/forums/blogs/gsaikripa/2958-2985-3021-2980-3006-1651/ Tue, 31 Mar 2009 11:05:43 GMT என் தாத்தாவின் நூற்றாண்டு விழா

என் தாத்தாவின் பெயர் சங்கு சுப்ரமணியம் ஐயர்.அவரை எல்லோரும் செல்லமாகக்
சங்கண்ணா என்று கூறுவார்கள்.

இளமை பருவம்

 கார்த்திகை மாதம் ஆயில்யம் நஷத்திரம் 1905 ஆண்டு மீனாக்ஷி,சுந்தரம் தம்பதிகளுக்கு தமிழ்கவிஞன் கம்பன் பிறந்த தேரேழுந்தூரில் பிறந்தார்.
" தாயைப்போல பிள்ளை நூலைப் போல சேலை"என்ற பழமொழிக்கேற்ப அம்மாவுக்கும்
நாம ருசியில் அதிக ஈடுபாடு.அவரின் தாத்தாவும் சிறந்த ராம பக்தர்.

இப்படி ஒரு பக்தி பூர்வமான குடும்பத்தில் பிறந்த சங்கண்ணா பிற்காலத்தில் பகவன்
நாமத்தையே ஜீவனாக கொண்டு வாழ்ந்தார்.

சங்குவின் பள்ளி பருவம்

இந்துப் பள்ளியில் திருவல்லிகேணியில் படித்தார்.பொருளாதாரத்தில் ஏழ்மையான
குடும்பம்.ஆனால் ஹரி நாமத்தில் ருசி உடையவர்.இவருக்கு 3 சகோதரிகள் ஹரி சேவையில் ஈடுப்பட்டவர்கள்.அவருடைய தாயார் சிறுவயதிலே கிருஷ்ண சரணங்களை
அடைந்து விட்டபடியால் உறவினர்கள் வீட்டில் வளர்ந்தார்கள்
அரணா என்று ஓரு கிருஷ்ண பக்தர்.அவருடைய வீடு பக்கத்தில் தான் உள்ளது.
சத்சங்கத்திற்கு குறைவேயில்லை.


விடுதலைஇயக்கத்தில் சங்கண்ணாவின் பங்கு:
இந்தியா அடிமைப்பட்டு கிடந்தது. சுதந்திர போராட்டத்தில் தன்னை
அர்ப்பணித்துக்கொண்டார்." சுதந்திரம் எனது பிறப்புரிமை!அதை அடைந்தே தீருவேன்" ஈடுபட்டு,3 மாத கடுங்காவல் சிறை தண்டனை அனுபவித்தார்.ம.பொ.சி.,காமராசர்
பக்தவத்சலம்,ஓமந்தூர் ரெட்டி,ராஜாஜி,சி.சுப்ரமணியம்.தொண்டர்கள்,உற்ற தோழர்கள்.
அச்சமயத்தில்,சுதந்திர சங்கு என்ற நாளேட்டை நடத்தி வந்தார். அதில் வரும் தலையங்கத்தை படிக்க மக்களும் ஆவலுடன் எதிர் பார்த்தார்கள்..காந்தியின் கருத்துக்களை பறை சாற்றுமாம் இந்த நாளேடு.இதனால் தான் இவருக்கு 'சங்கு சுப்பிரமணியம்' என்ற பெயர் ஏற்பட்டது.
பாரதிதாசன் இந்த பத்திரிக்கையை பார்த்து தான் 'சங்கே முழங்கு " என்ற பிரபல பாடலை எழுதினார்.

பாரதியும்- சங்குவும்:


சிறுவயதில்,பாரதியாரின் அரிய சங்கம் கிடைத்தது.பாரதியார் பொது நிகழ்சசிகளில் ௲ பேர் இருந்தால் விடுதலை பாடல்களை பாடுவார். ௱ பெயர் இருந்தால் சக்தி பாடல்களை பாடுவார்.நெருங்கிய தோழர்கள் இருக்கும் போது கண்ணம்மா பாடல்கள் பாடுவார்.
1947ல் இந்தியா விடுதலை அடைந்தபின் ''தன்னுடைய அரசியல் வாழ்க்கையின் அத்தியாயம் முடிந்துவிட்டது" என்று முடிவு செய்த சங்கு பல உயர் பதவிகள் , பட்டங்கள் தேடி வந்த போதும் எதையும் ஏற்கவில்லை. தன் வாழ்க்கையை பிரிய கண்ணனுக்கே அர்பணித்தார்.

சினிமாவும்- சங்குவும்:


சிறிது காலம் ஜெமினி ஸ்டுடியோவில் கதை இலாகாவில் பணியாற்றினார்.
தன்னுடைய தொழிலையும் கண்ணனின் பணியாகவே செய்ய வாய்ப்பு கிடைத்தது.அந்த திரைப்படம் தான் சக்ரதாரி .பாண்டுரங்க பக்தனாகிய கோரகும்பரின் சரித்திரம். பக்தி ரசம் சொட்ட சொட்ட எடுத்த படம். கதை,பாட்டு,வசனம் அனைத்தும் அவரே செய்தார்.
கதை எழுதும் சமயத்தில், பாண்டுரங்கன் சான்னித்தியம் தினமும் மாலை இரவு நேரங்களில் தெரிவார்களாம்.பகவத் சங்கல்பத்தினால் எடுக்கப்பட்ட இந்தலீலை ஒரு சாட்சி

தமிழ் அஷ்டபதியும் சங்குவும்:


ஜெமினியில் வேலை பார்க்கும் போது இயற்கை காட்சிகளை பார்த்தார்.ஓடை,பலவித மரங்கள், பூங்கா,இவற்றை கண்டவுடன், பிருந்தாவனத்தில் ராதா கிட்டாவை
(கண்ணனின் செல்ல பெயர்) நினைத்து லயம் அடைந்தார்.
சமஸ்கிருதத்தில் உள்ள அஷ்டபதியை தமிழில் மொழி பெயர்த்தார்.

கல்யாண வாழ்க்கை:


சரஸ்வதி என்ற பெண்ணை திருமணம் செய்து கொண்டார்.கதர் புடவை தான் கூரைப்
புடவை.சிறை சென்ற போதும்,மற்ற சமயங்களிலும்,கணவனுக்கு உறுதுணையாக
தன்னை முழுவதும் அர்ப்பணித்துகொண்டார்.
சங்கன்னாவுக்கு பெரிய குடும்பம்.௮ பெண் குழந்தைகள் அஷ்டசகிகள் என்று பெயர் வைக்கவேண்டும்.ராதையின் தோழியின் தான் நீங்கள் என்று வாய் மணக்க கூறவேண்டும்.அவருக்கு 5 பெண்கள்,3 பிள்ளைகள்.குழந்தைகளிடம் அலாதி பிரியம்.
பிரேமி அண்ணாவின் அலங்கார கீர்த்தனைகள்,திவ்ய நாம கீர்த்தனைகள்,தமிழ் அஷ்டபதி தன் கைப்பட எழுதி அனைவருக்கும் வழங்கி உள்ளார்.குழந்தைகள்
எல்லோரும் சேர்ந்து இருக்கும் நேரம் இத்தனை கீர்த்தனைகளும்சொல்லி தருவார்.
இவ்விழா,சமீபத்தில் தான் கொண்டாடபட்டது.உங்களிடம் பகிர்ந்துகொள்வதில் மிக்க மகிழ்ச்சி அடைகிறேன்..




. ]]> gsaikripa http://www.indusladies.com/forums/blogs/gsaikripa/2958-2985-3021-2980-3006-1651/ <![CDATA[என் தாத்தாவின் நூற்றாண்டு விழா]]> http://www.indusladies.com/forums/blogs/gsaikripa/2958-2985-3021-2980-3006-1643/ Tue, 31 Mar 2009 06:02:00 GMT என் தாத்தாவின் நூற்றாண்டு விழா

என் தாத்தாவின் பெயர் சங்கு சுப்ரமணியன் ஐயர்.அவரை எல்லோரும் செல்லமாகக்
சங்குஅண்ணா என்று கூறுவார்கள்.
இளமை பருவம்
கார்த்திகை மாதம் ஆயில்யம் நஷத்திரம் 1905 ஆண்டு மீனாக்ஷி,சுந்தரம் தம்பதிகளுக்கு தமிழ்கவிஞன் கம்பன் பிறந்த தேரேழுந்தூரில் பிறந்தார்.
" தாயைப்போல பிள்ளை நூலைப் போல சேலை"என்ற பழமொழிக்கேற்ப அம்மாவுக்கும்
நாம ருசியில் அதிக ஈடுபாடு.அவரின் தாத்தாவும் சிறந்த ராம பக்தர்.

இப்படி ஒரு பக்தி பூர்வமான குடும்பத்தில் பிறந்த சங்கண்ணா பிற்காலத்தில் பகவன்
நாமத்தையே ஜீவனாக கொண்டு வாழ்ந்தார். ]]> gsaikripa http://www.indusladies.com/forums/blogs/gsaikripa/2958-2985-3021-2980-3006-1643/ Rhymes for kids http://www.indusladies.com/forums/blogs/gsaikripa/rhymes-for-kids-1565/ Wed, 18 Mar 2009 04:59:22 GMT 1.Twinkle twinkle little star, how i wonder what you are? up above the world so high, like a diamond in the sky. 2. Baa, baa black sheep Have you any wool Yes sir, yes sir Three bags full. 1.Twinkle twinkle little star,
how i wonder what you are?
up above the world so high,
like a diamond in the sky.


2. Baa, baa black sheep
Have you any wool
Yes sir, yes sir
Three bags full.

One for my master
And one for my dame
And one for the little boy
Who lives down the lane.
3.
Jack and Jill
went up the hill
to fetch a pail of water

Jack fell down
broke his crown
Jill came
tumbling after

4.Mary had a little lamp little lamp
Its fleece was white as snow
Every where that
Mary went Mary went
The lamb was sure to go

It followed her to school one day,
School one day, school one day,
It followed her to school one day,
which was against the rule
It made the children laugh and play(2)
To see a lamb at school.

5.Ding dong bell,
Pussy in the well;
Who put her in?
Little Tommy Thin.
Who pulled her out?
Little Tommy Stout.
What a naughty boy was that
To drown poor pussy cat.

6.Johny Johny
Yes Papa
Eating Sugar
No Papa
Telling Lies
No Papa
Open your mouth
HA!! HA!! HA!!

7. One - two buckle my shoe
Three - four shut the door
Five - Six pick up the sticks
Seven - eight lay them staight
Nine - Ten big fat hen.

8. Hickory, dickory, dock,
The mouse ran up the clock.
The clock struck one,
And down he run,
Hickory, dickory, dock.

9. Nila Nila odi vaa
Nillamal Odi Vaa
Malaimela Yeri vaa
MalligaiPoo kondu Vaa-Tamil rhymes

10.Amma Inge Vaa Vaa
Aasai muttam tha tha
elayil soru pottu
Ee yai thoora ottu......Tamil rhymes

11.come ,come, rosy come, come
kaalyail ezhunthathum vannakkam
kadavulai nokki prayer pannu
schoolukku sella marukathe
lazyagha irrukkathe
teacher solvathai ketdiannum
padippil first ai vandidanum.

12. Maampazhamam Maampazham
Malgova Maampazham
Selathu Maampazham
tittikkum Maampazham
ungallukku vendumaam
inge odi vaarungal
bangu pottu tinnalaam. ]]> gsaikripa http://www.indusladies.com/forums/blogs/gsaikripa/rhymes-for-kids-1565/ <![CDATA[அம்மாவின் கிறுக்கல்கள்]]> http://www.indusladies.com/forums/blogs/gsaikripa/2949-2990-3021-2990-3006-1483/ Sat, 28 Feb 2009 14:03:33 GMT இப்போ கேள்வி, அப்பா என்ன செய்தார்?
அளவான கண்டிப்பும்,அதீதமான நகைச்சுவையும், அருளான பார்வையும்,வயிறாற சாப்பிடவேண்டும் என்பதற்காக வேலை செய்தவர் தான்!
காலத்தின் கோலம் கட்டுபடுத்தியபோது தன் ராஜஸ வாழ்க்கையை சுருக்கி( நத்தை கூட்டுக்குள் அடைவது போல்)சுருக்கம்,சுருக்கம்,சுருக்கம்,...அப்பப்பா...எ த்தனை
வாமனனாக தான் ஆகி ,குழந்தைகளை வளர்க்க எத்தனைக் கட்டுப்பாடு!எத்தனை
வாழ்க்கை சறுக்கல்கள், எத்தனை சுடுசொல்
தன் தந்தை கூறியுள்ளார்

அப்பாவின் வளர்ப்பு முறை பற்றி ஒரு கண்ணோட்டம்
கிரிக்கெட் அணி அமைத்து விளையாட சொன்னது,குழந்தையை தோளில் சுமந்தே பள்ளிக்கு போன நாட்கள் எத்தனை.
11வயதில்,அறுபத்து மூவர்,பார்க்க அனுப்பிட்டுவிட்டு,திரும்பி வரும் வரை புலம்பி தீர்த்து விட்டார்

பல் தேய்க்கவும், உடை உடுக்கவும் ,ஒரு படத்தை மாட்டி,நீ 1stஆ... , அவன் 1stஆ பார்க்கலாம்

kutty balu is a lazy boy
late for school, play & everything
so, he is late bath,,...is it . என மகனோடு கொஞ்சியதுண்டு.

கோலியாட விரும்புவாய் என வண்ண வண்ண கோலிகள் அதிகம் வாங்கி தந்ததும் உண்டு.நீ தோற்று போய், எண்ணிக்கை குறைந்தால்...அழுவாய் என எண்ணி மீண்டும் கோலிகளை உனக்கு தெரியாமல் அடுக்கி வைப்பார்.
பள்ளியில் செல்லமகனை கொண்டு போய் விட,எத்தனை நண்பர்கள்,தரையில் பாதம்
பட்டால் குறைஞ்சுடுமா...என கிண்டல் செய்யும் நண்பர்களை ,என் மகன் எப்படி இருக்க வேண்டியவன்... என மூச்சுக்கு 300 தரம் சொல்லி புலம்புவார்.
பள்ளியில், அவன் அடிக்கும் லூட்டிக்கு அளவில்லை...அவனை punish செய்யும் ஆசிரியரிடம் பெரிய சண்டை தான் .என் பிள்ளை படிக்கவில்லை யென்றால்...தோப்புக்கரணம் போட சொல்லு வது..எப்படி.படிக்கவைத்து கேட்க வேண்டுமே தவிர ...எப்படி தண்டிப்பது.

கோழி இறகுகளின் அழகை நீ ரசிப்பதை கண்டு...கடன் வாங்கியாவது மிருகங்கள் zoo விற்கு அழைத்து செல்வார்.
பொருட்காட்சி என்றால், செலவு செய்ய அஞ்சமாட்டார்..
வீட்டில்,ரேசனுக்காக வாங்க வைச்சிருந்த பணம் நான் செலவு செய்துட்டேன்....விலையுயர்ந்த அரிசியை A/C இல்.வாங்கி போட்டு dose-ம் வாங்கியதுண்டு.

பள்ளியில் தன்மகன் 1st ஆகவர விதவிதமான awards, icecream, lollipop வாங்கி தருவது pommai கையில் வரைவது, வண்ண வண்ண பலூன், விதவிதமாய் பம்பரம் என விளையாட்டுகள் ...குழந்தை பருவத்தை கொட்டமிடசெய்தவர்தான்.

இத்தனை சுதந்திரமாய், என்ன வேண்டும் ஆனாலும் வாங்கி தந்த அப்பாவை பார்த்து, வயதாகி விட்டதனால்..

இப்போது, என்ன செய்தார்...என்று அம்மாவிடம் கேட்கிறான்... ]]> gsaikripa http://www.indusladies.com/forums/blogs/gsaikripa/2949-2990-3021-2990-3006-1483/ Sai charitam http://www.indusladies.com/forums/blogs/gsaikripa/sai-charitam-1387/ Sat, 31 Jan 2009 05:50:59 GMT *_PRAYER_* *SHREE GANESH VANDANA SHASHI VARNAM CHATURBHUJAM* *PRASANNA VADANAM DHYAYETH SARVA VIGHNOPA SHANTAYE* *AGAJANANA PADMASANAM GAJANANA MAHIRSHAM*
PRAYER


SHREE GANESH VANDANA SHASHI VARNAM CHATURBHUJAM


PRASANNA VADANAM DHYAYETH SARVA VIGHNOPA SHANTAYE


AGAJANANA PADMASANAM GAJANANA MAHIRSHAM


ANEKA DANTAM EKA DANTAM UPASMAYEM BHAKTANAM


Mushikavaahana Modaka Hastha,


Chaamara Karna Vilambitha Sutra,


Vaamana Rupa Maheshwara Putra,


Vighna Vianayaka Paada Namasthe


GANESHA GAYATHRI


Thath Purushaya Vidhmahe


Vakrathundaaya Dheemahee


Danno Ganesha Prachothayad


Sainatha Sainatha Sainatha Sadgurum


Yogiraja Yugapurusha Bhaktakoti Vanditham


Kripanidhim Tapodhanim Sainatha Pahimaam


Divyateja Bhavyamoorthi Punyacharita Poojitam


yadâ yadâ hi dharmasya
glânir bhavati bhârata
abhyutthânam adharmasya
tadâtmânam srjâmy aham

yadâ yadâ -- whenever and wherever;
hi -- certainly;
dharmasya -- of religion;
glânih -- discrepancies;
bhavati -- become manifested;
bhârata -- O descendant of Bharata;
abhyutthânam -- predominance;
adharmasya -- of irreligion;
tadâ -- at that time;
âtmânam -- self;
srjâmi -- manifest;
aham -- I.
Meaning: Whenever and wherever it is sure that one weakens in righteousness and a predominance of injustice does manifest, o descendant of Bharata, at that time I do manifest Myself.

paritrânâya sâdhűnâm


vinâsâya ca duskrtâm


dharma-samsthâpanârthâya
sambhavâmi yuge yuge

paritrânâya -- for the deliverance;
sâdhűnâm -- of the devotees;
vinâsâya -- for the annihilation;
ca -- and;
duskrtâm -- of the miscreants;
dharma -- principles of religion;
samsthâpana-arthâya -- to reestablish;
sambhavâmi -- I do appear; yuge -- millennium;
yuge -- after millennium.

Meaning: To liberate the seekers of truth, to take the power away from the wicked ones and to reestablish the way of the human principles I do appear age after age.
ELEVEN DECLARATIONS OF SAI BABA
1. Whoever puts his feet on Shirdi soil, his sufferings would come to an end.
2. The wretched and miserable would rise into plenty of joy and happiness, as soon as they climb the steps of my Samadhi.
3. I shall be ever active and vigorous even after leaving this earthly body.
4. My tomb shall bless and speak to the needs of my devotees.
5. I shall be active and vigorous even from the tomb.
6. My mortal remains would speak from the tomb.
7. I am ever living to help and guide all who come to me, who surrender to me and who seek refuge in me.
8. If you look to me, I look to you.
9. If you cast your burden on me, I shall surely bear it.
10. If you seek my advice and help, it shall be given to you at once.
11. There shall be no want in the house of my devotees.

SHRI SAI SATCHARITA


By Hemadpant


CHAPTER I

Salutations -- The Story of Grinding Wheat and Its Philosophical Significance
According to the ancient and revered custom, Hemadpant begins the work, Sai Satcharita, with various salutations.
First, he makes obeisance to the God Ganesha to remove all obstacles and make the work a success and says that Shri Sai is the God Ganesha.
Then, to the Goddess Saraswathi to inspire him to write out the work and says that Shri Sai is one with this Goddess and that He is Himself singing His own life.
Then, to the Gods; Brahma, Vishnu and Shankar - the Creating, Preserving and Destroying Deities respectively; and says that Sainath is one with them and He as the great Teacher, will carry us across the River of Worldly Existence.
Then, to his tutelary Deity Narayan Adinath who manifested himself in Konkan - the land reclaimed by Parashurama, (Rama in the Hindi version) from the sea; and to the Adi (Original) Purusha of the family.
Then, to the Bharadwaja Muni, into whose gotra (clan) he was born and also to various Rishis, Yagyavalakya, Bhrigu, Parashara, Narad, Veda Vyasa, Sanak, Sanandan, Sanatkumar, Shuka, Shounak, Vishwamitra, Vasistha, Valmiki, Vamadeva, Jaimini, Vaishampayan, Nava Yogindra etc, and also modern Saints such as Nivritti, Jnanadev, Sopan, Muktabai, Janardan, Ekanath, Namdev, Tukaram, Kanha, and Narahari etc.
Then, to his grandfather Sadashiv, father Raghunath, his mother, who left him in his infancy, to his paternal aunt, who brought him up, and to his loving elder brother.
Then, to the readers and prays them to give their whole and undivided attention to his work.
And lastly, to his Guru Shri Sainath - an Incarnation of Shri Dattatreya, Who is his sole Refuge and Who will make him realize that Brahman is the Reality and the world an illusion; and incidentally, to all the Beings in whom the Lord God dwells.
After describing in brief the various modes of devotion according to Parashara, Vyasa and Shandilya etc., the author goes on to relate the following story:
"It was sometime after 1910 AD that I went, one fine morning, to the Masjid in Shirdi for getting a Darshan of Sai Baba. I was wonder-struck to see the following phenomenon. After washing His mouth and face, Sai Baba began to make preparations for grinding wheat. He spread a sack on the floor; and thereon set a hand-mill. He took some quantity of wheat in a winnowing fan, and then drawing up the sleeves of His Kafni (robe); and taking hold of the peg of the hand-mill, started grinding the wheat by putting a few handfuls of wheat in the upper opening of the mill and rotated it. I thought ‘What business Baba had with the grinding of wheat, when He possessed nothing and stored nothing, and as He lived on alms!’ Some people who had come there thought likewise, but none had the courage to ask Baba what He was doing. Immediately, this news of Baba's grinding wheat spread into the village, and at once men and women ran to the Masjid and flocked there to see Baba's act. Four bold women, from the crowd, forced their way up and pushing Baba aside, took forcibly the peg or handle into their hands, and, singing Baba's Leelas, started grinding. At first Baba was enraged, but on seeing the women's love and devotion, He was much pleased and began to smile. While they were grinding, they began to think that Baba had no house, no property, no children, none to look after, and He lived on alms, He did not require any wheat-flour for making bread or roti, what will He do with this big quantity of flour? Perhaps as Baba is very kind, He will distribute the flour amongst us. Thinking in this way while singing, they finished the grinding and after putting the hand-mill aside, they divided the flour into four portions and began to remove them one per head. Baba, Who was calm and quiet up till now, got wild and started abusing them saying, "Ladies, are you gone mad? Whose father's property are you looting away? Have I borrowed any wheat from you, so that you can safely take the flour? Now please do this. Take the flour and throw it on the village border limits." On hearing this, the women felt abashed and whispering amongst themselves, went away to the outskirts of the village and spread the flour as directed by Baba.
I asked the Shirdi people - "What was this that Baba did?" They replied that as the Cholera Epidemic was spreading in the village and this was Baba's remedy against the same; it was not wheat that was ground but the Cholera itself was ground to pieces and pushed out of the village. From this time onward, the Cholera Epidemic subsided and the people of the village were happy. I was much pleased to know all this; but at the same time my curiosity was also aroused. I began to ask myself - What earthly connection was there between wheat flour and Cholera? What was the casual relation between the two and how to reconcile them? The incident seems to be inexplicable. I should write something on this and sing to my heart's content Baba's sweet Leelas. Thinking in this way about this Leela, my heart was filled with joy and I was thus inspired to write Baba's Life - The Satcharita.
And as we know, with Baba's grace and blessing this work was successfully accomplished.
Philosophical Significance of Grinding
Apart from the meaning which the people of Shirdi put on this incident of grinding wheat, there is, we think, a philosophical significance too. Sai Baba lived in Shirdi for about sixty years and during this long period, He did the business of grinding almost every day - not, however, the wheat alone; but the sins, the mental and physical afflictions and the miseries of His innumerable devotees. The two stones of His mill consisted of Karma and Bhakti, the former being the lower and the latter the upper one. The handle with which Baba worked the mill consisted of Jnana. It was the firm conviction of Baba that Knowledge or Self-realization is not possible, unless there is the prior act of grinding of all our impulses, desires, sins; and of the three gunas, viz. Sattva, Raja and Tama; and the Ahamkara, which is so subtle and therefore so difficult to be got rid of.
This reminds us of a similar story of Kabir who seeing a woman grinding corn said to his Guru, Nipathiranjana, "I am weeping because I feel the agony of being crushed in this wheel of worldly existence like the corn in the hand-mill." Nipathiranjana replied, "Do not be afraid; hold fast to the handle of knowledge of this mill, as I do, and do not wander far away from the same but turn inward to the Centre, and you are sure to be saved."

Bow to Shri Sai -- Peace be to all


*****


SATHYAM SIVAM SUNDARAM - Part I


The Life of the Divine Avatar Bhagawan Sri Sathya Sai Baba
Written by N. Kasturi M.A., B.L.



He is the sub-stratum, the substance; the separate and the sum, the Sath; the SATHYAM
He is the awareness, the activity, the consciousness, feeling, the willing and the doing, the Chith; the SIVAM
He is the light, the splendor, the harmony, the melody, the Ananda; the SUNDARAM



Words of Bhagawan Sri Sathya Sai Baba taken from this Biography

"MY MISSION is to grant you Courage and Joy, to drive away Weakness and Fear. Do not condemn yourselves as sinners; sin is a misnomer for what are really errors, provided you repent sincerely and resolve not to follow Evil again. Pray to the Lord to give you the strength to overcome the habits which had enticed you when you were ignorant."
"Worry, greed and needless agitation and anxiety, these cause even bodily disease. Mental weakness is the biggest cause of disease. Dis-ease is a want of ease; the contented mind is the best drug."
"Be good, be joyful, be bold, be honest, be temperate, be patient. These are the rules of good health."
"I refuse to call anyone an atheist or an unbeliever, for all is the Creations of the Lord and repositories of the Grace. In everyone's heart there is a spring of Love, a rock of Truth. That Love is God, that Truth is God. Divinity is there in the depths of everyone's Inner Being."
"The Lord is above and beyond all limits of caste and color, of wealth and poverty; it is foolish to believe that the Lord asks for this gift or is angry when it is not offered."
"I have come to guide and bless those who undergo the discipline and practice leading to Divine union. I am neither man nor woman, old or young, I am all these."
"Do not praise Me. I like you to approach Me without fear, as a right. You do not extol your father. You ask for something from him, as a right, is that not so?"
"You may be seeing Me today for the first time, but you are all old acquaintances for Me. I know you through and through. My task is the spiritual regeneration of Humanity through Truth and Love. If you approach one step nearer to Me, I shall advance three steps towards you."
"I am happiest when a person carrying a heavy load of misery comes to Me, for he is most in need of what I have."
"It is not mentioned anywhere that the Grace of God is available only for certain classes or races or grades of people. From the smallest to the biggest all are entitled to it. The Lord is everywhere, everything."
"The world can achieve prosperity and peace only through such persons whose hearts are pure and whose minds are free of prejudice and passion, lust and greed, anger and envy."
"I have not started the work for which I have come for I am still in the stage of preliminary reconnaissance. When I start my campaign the whole world will know of it and benefit by it."
"Whensoever there is the fading of the Dharma and the uprising of unrighteousness, then I loose myself forth into birth. For the deliverance of the good, for the destruction of the evil-doers, for the enthroning of the Right, I am born from age to age."

The Gita - Fourth Chapter (Verses 7&8)

These verses in the Bhagavad Gita of Order, Sanskrit, word for word and translation:

yadâ yadâ hi dharmasya
glânir bhavati bhârata
abhyutthânam adharmasya
tadâtmânam srjâmy aham



paritrânâya sâdhűnâm


vinâsâya ca duskrtâm


dharma-samsthâpanârthâya
sambhavâmi yuge yuge


The Author Writes
I was born in an obscure village in North Travancore when the nineteenth century had still three years and a few days to run. I had my schooling in the Cochin State under a great Headmaster who had met Swami Vivekananda and who lit in our little lamps the flame of prayer and contrition. I attended College at Trivandrum and, after finishing my M.A. and B.L., I secured a job as Lecturer in History at a college in Mysore.
The country boat, in which I, my wife and my mother journeyed along the canals and backwaters of the West Coast on the first lap of the trip to catch the train at Ernakulam, was halted past midnight in the middle of a dark backwater by a Coast Guard, who shouted orders from the shore. He called out in the black night, "Where are you going?" and waited for an answer. My boatman had a fine sense of humor. He shouted back, "We are going to Mysore!" (We all knew Mysore was inland!) The Coast Guard did not reprimand him for his impertinence, for he, too, was in a humorous mood. He laughed and asked, "Why do you say Mysore? Don't you know a place beyond Mysore?"
Little did we know then, that there was a place beyond Mysore, a couple of hundred miles to the north of that City, a place called Puttaparthy which was to provide us harborage from the turbulent storms of the sea. There I was to get the Teacher I wanted, when my career as a university teacher and principal was about to come to a close.
Yogi Suddhananda Bharathi, the famous mystic poet of Tamilnadu, said, in April 1959 when addressing a religious conference at Venkatagiri Town over which Sri Sathya Sai Baba presided, "I have practiced Yoga for over 50 years; I once observed the vow of silence continuously for over 20 years; I have come in contact with Sri Shirdi Baba, Sri Ramana Maharshi, Sri Aurobindo, Sri Meher Baba and others; now, as a result of all this discipline, I have met Sri Sathya Sai Baba."
I served as the Secretary of the Sri Ramakrishna Mission at Mysore for over seventeen years; I came in contact with Sri Siddharooda Swami, Sri Ramana Maharshi, Sri Meher Baba and Sri Narayana Guru; I was initiated into Japam, the recitation of the Name of the Lord, by Mahapurushji, the direct disciple of Sri Ramakrishna Paramahamsa, and President of the Mission; and I am now convinced that, as a result of all this, I sat at the Feet of Sri Sathya Sai Baba in 1948.
After I retired from the service of the University of Mysore, I have since rejoiced in Baba's Presence, except for a short period when I worked with All India Radio as a producer. I have had the good fortune of mingling with many of His devotees who have had longer and closer associations with Him. I have availed myself of every opportunity of witnessing events illustrating His Divine Power and listening to His discourses. I trust this book will reveal to the reader some of the reasons for the extraordinarily intimate loyalty that binds me and others to Him. Baba is an open book, with no mystery or pomp or abstruseness about Him. Everyone can approach Him and secure His Grace.
I have great sympathy for those who are unaware of Baba's stature, for I, too, demurred, doubted, and disbelieved Baba's validity with all the sarcasm and satire found in the novels, dramas, and essays which I wrote and published on various subjects. For many years I, too, in my stupid pride, did not make any effort to meet Him. I invite everyone now, to come and share His Grace and Mercy and stand witness to the Divine Power that He personifies.

N. Kasturi

THE WONDERMENT OF SAI BABA
This is the story of the Lord, come in human form. He was born at sunrise on November 23, 1926, in a quiet little village called Puttaparthy in Southern India. Puttaparthy has carved a niche for itself in the hearts of the people of the area because of the inspiring legends that sanctify its memory and surround its name. Putta is the native word for "an anthill in which a snake has taken up its abode," and Parthi means "multiplier." These words are part of an exciting legend that explains the origin of this place-name.
Long, long ago the village was known as Gollapalli or "Home of the Cowherds," a designation reminiscent of the playful boyhood of Krishna, the Cowherd Lord. Gollapalli was a place redolent with the music of the flute and the laughter of the cowherds. It was the abode of prosperous cowherds, for, the cattle of this place where sleek and strong. The cows yielded copious quantities of milk, thick and sweet beyond compare; every home was rich in butter and ghee. However, one day a cowherd noticed that his favorite cow had no milk in her udder when she returned from the grazing grounds on the hills. He became determined to find the solution to this mystery by watching the cow's movements. Later, hiding himself from view, the cowherd observed the following astonishing behavior. The cow, leaving her calf to wander about with her sisters, walked out of the shed and proceeded in a beeline to an anthill on the outskirts of the village. The cowherd followed her to this rendezvous, only to witness an even more astounding spectacle. A cobra issued forth from the mound, raised itself on its tail, applied its lips gently to the cow's teats, and gleefully drank all the milk! The cowherd, enraged at the loss to which he was subjected by this wily trick, lifted a large stone over his head and, taking good aim, heaved it directly on the cobra. Writhing in pain, the serpent threw an angry curse on all the cowherds of the village; the cobra's last words foretold that the place would be full of anthills, which would multiply endlessly and become the homes of snakes.
And so indeed it happened! The cattle declined in health and in numbers; they could no longer be raised successfully at Gollapalli. Anthills spread all over the place and the name was soon changed to Valmikipura, meaning "anthill city" in Sanskrit. This gave some satisfaction to the elders of the village since Valmiki is none other than the immortal poet and saint who wrote and sang the great epic poem of Sri Ramaand showed mankind the Path to Perfection. The "anthill city" is called Puttaparthy in common parlance. The villagers still show, as proof of this tragic legend, the very stone, thick and round, with a slight jam on one side, which the enraged cowherd aimed at the wonder-snake. The stone has a long reddish streak, which is pointed out as the mark of the cobra's blood. This stone became an object of worship, probably in an effort to avert the curse and help the cattle to prosper. It is looked upon as a symbol of the Lord of the Cowherds, Krishna. The village chieftains built a temple where this stone is installed, and generations of men and women have reverentially bowed before it.
Strangely enough, Bhagawan Sri Sathya Sai Baba revealed a feature of the stone some years ago. He directed some people to wash the stone and to smear sandal paste on the jammed side. When this was done, they could discern the clear outline of a sculptured picture of Krishna leaning on a cow, with the captivating flute at his lips. Local rustics swear that they can hear the melody of Krishna's Breath passing through the straight and hollow reed in the sculpture. From that day the curse lost its evil power and cattle began to thrive once more at Puttaparthy! The bastion of the old Fort, which still raises its hoary head in the eastern part of the village, is evidence of Puttaparthy's mastery over the surrounding area and the power and majesty of the chieftains of the place.
"With the Chitravathi River descending the gorges and flowing as a moat on one side, set like a green gem in a ring of hills, with temple bells pealing on all the eminences around, enriched by the reservoir built by King Chikkaraya, adjacent to the town that bears the name of Bukka (the far-famed Emperor of the City of Vijayanagara), Puttaparthy is the abode of the Goddess of Fortune and the Goddess of Eloquence." Such is the eulogy showered on this place by an anonymous poet of the past. Puttaparthy was the cradle of poets and scholars as well as heroes and philanthropists.
The Raju family to which Bhagawan Sri Sathya Sai Baba belongs was noted for its piety since the days of the renowned sage Venkavadhootha. Not only did the Rajus build and endow Gopalaswami Temple, but the devout Sri Ratnakaram Kondama Raju, grandfather of Sathya Sai Baba, dedicated a temple to Sathyabhama, a consort of Lord Krishna. This homage is seldom offered in any part of India to such a deity. Kondama Raju used to say in explanation of this unusual tribute to Sathyabhama, that he was inspired to erect the temple because of the events that occurred during a strange dream. Tears of joy would run down the wrinkled cheeks of this centenarian, Sri Kondama Raju, whenever he recollected that enthralling dream experience.
In his dream Kondama Raju saw "Sathyabhama alone, expectant, and forlorn, waiting anxiously for her Lord who had gone on an errand to bring to her from Paradise the much-coveted Parijatha flowers. The minutes increased to hours and the hours to days, but still there was no sign of Krishna! Sathyabhama broke into tears. There ensued a raging storm bringing thunder, lightning, and a heavy downpour of rain. Fortunately her eyes fell on Kondama Raju who was passing near the place where she stood. She asked him to provide some shelter." This dream led to his determination to build a temple for the Consort of the Lord.
Kondama Raju lived out his hundred and ten years of earthly existence in the contemplation of the Lord. He was a master of music and the histrionic art. He knew by heart the Lepakshi version of the entire Ramayana, the Great Epic poem in Sanskrit about Rama. This version was a series of songs composed by a poet from the City of Lepakshi. They depicted the incidents in dramatic imagery and artistic luxuriance. Kondama Raju played the role of Lakshmana; the devoted brother of Rama, in all the Ramayana plays enacted at Puttaparthy and other villages. Requests for him to play this role were received even from far-off places. His depiction of the steadfast devotion and unquestioning dedication of Lakshmana touched the hearts of all who witnessed his performance. He appeared hundreds of times on many stages until age prevented him from further repetition of the role. He was a strict vegetarian, prone to observe the holy vows of the Hindu calendar. His cottage, a short distance from his sons and grandchildren, was a veritable abode of holy homage. He took delight in gathering around his cot the children of his sons and relating to them the tales of Gods and God-men. The children loved to be with him, for he made every character and adventure live before their eager eyes through the enchantment of song and drama.
We can be certain that among those children it was his grandson Sathyanarayana (the birth name of Sathya Sai Baba) who was his favorite, for the little boy could sing in a charming musical voice and could give even the venerable old gentleman a lesson or two in the art of drama!
There was another reason why Kondama Raju exhibited special affection for Sathyanarayana. The little boy disliked non-vegetarian food and would not stay even in the neighborhood when such dishes were being prepared. At the tender age of seven, he was also a remarkably good cook! He was so intelligent and resourceful that he was able to prepare the tastiest dishes from the meager larder of his grandfather's cottage. All this he did most willingly and very quickly! (Sai Baba says that He would go into the kitchen of the old man and complete the cooking - rice, curries, chutney and all - in much less time than was needed by the mother, even when she had her daughters helping her to finish her cooking assignment at her own place!)
In his later days Sri Kondama Raju was visited by all the devotees who came to seek the blessings of Sri Sathya Sai Baba, and when the revered old man struggled to stand erect to accept their homage, one could see a twinkle of joyful gratitude in his eyes that the Lord had taken birth in his family. He lived until 1950 and passed away peacefully singing to himself aloud stanzas from the Ramayana. Truly a life worthy to be recorded in the annals of saints.
Sri Kondama Raju's wife, Sri Lakshamma, had died about twenty years earlier. Her life was regulated by the religious calendar with its rotation of Holy Fasts, Vows, and Vigils. She observed these very punctiliously, despite the worry, expense, and inconvenience. Her aim was only to become worthy of the blessings of the Divine Forces which the scriptures promised in return for the regimen.
Sri Kondama Raju had two sons named after the sage Venkavadhootha. They were called Pedda Venkapa Raju and Chinna Venkapa Raju. They inherited their father's musical, literary, and dramatic capabilities, as well as his piety and simplicity. Of the two brothers, the younger was gifted with a greater variety of skills, which covered the fields of literary composition and the preparation of drugs and talismans with the aid of traditional formulas.
His parents took once Pedda Venkapa Raju to a village named Kolimigundla, in the Kurnool District, where they had some lands, which had been given on long lease. While enroute, and as they were entering the Parlepalli Forest, some good men warned them to take a strong protective escort, because two days prior a family of six had been murdered in the forest by robbers and assassins.
The visit was primarily intended to acquaint Pedda Venkapa with the area and the tenants, but his father had a second aim in mind. He desired to bring his distant relatives, Subba Raju and family, nearer to Puttaparthy where they would be safe from the danger they faced daily as they went to earn their living near the forest. In order to persuade Subba Raju to move to a village on the bank of the river Chitravathi, opposite Puttaparthy, it was necessary for Kondama Raju to offer him a substantial "bribe!" This was nothing less than the "acceptance" of Subba Raju's daughter, Easwaramma, as bride for Kondama Raju's elder son, Pedda Venkapa. Thus came about the auspicious marriage of Pedda Venkapa to Easwaramma.
This divinely inspired union was blessed with a son, Seshama Raju, and two daughters, Venkamma and Parvatamma. Some years passed and Easwaramma longed for another son. She prayed to the village gods and observed Satyanarayana Puja, a special vow to win the favor of the Lord, in the Name and Form of Satyanarayana, and she faithfully kept a number of other rigorous vows which required vigil and abstentions from food. ]]> gsaikripa http://www.indusladies.com/forums/blogs/gsaikripa/sai-charitam-1387/ SaiBaba’s sayings http://www.indusladies.com/forums/blogs/gsaikripa/saibaba-s-sayings-1312/ Tue, 20 Jan 2009 10:41:43 GMT SaiBaba’s sayings 1. Love is the solvent for the hardest of the hearts. 2. The service of man is the only means by which you can serve God. 3. God First; the world next;yourself last 4. Have constructive thoughts; consoling words;... SaiBaba’s sayings

1. Love is the solvent for the hardest of the hearts.
2. The service of man is the only means by which you can
serve God.
3. God First; the world next;yourself last
4. Have constructive thoughts; consoling words; compassionate acts.
5. Modesty is essential for women; it is her priceless jewel.
6. Be a sevak (servant) before you aspire to be a Nayak( Leader)
7. Discipline is the mark of intelligent living.
8. Learn to give,not to take;Learn to serve, not to rule.
9. The honour of a nation depends on the morality of that nation
10. You cannot see Me, but I am the light you see by.
11. Each country is but a room in the Mansion of God.
12. Always respect another’s opinion & another’s point of view.
13. Hands that help are holier than lips that pray. ]]> gsaikripa http://www.indusladies.com/forums/blogs/gsaikripa/saibaba-s-sayings-1312/ <![CDATA[Slokams & Bhajans for Kids]]> http://www.indusladies.com/forums/blogs/gsaikripa/slokams-and-bhajans-for-kids-1284/ Mon, 12 Jan 2009 14:52:47 GMT Here are a few Slokams & Bhajans for children & grown-ups:-

OM GANESHAYA NAMAHA ( 3 TIMES)

SHUKLAAM BARATHARAM VISHNUM
SHASHI VARNAM CHATHURBHAJAM
PRASANNA VATHANAM DHYAYETH
SARVA VIGNOBA SHANTHAYE

GAJANANAM BHOOTHA GANAAHI SEVITHAM
GABITHA JAMBU PALASAARA PAK****HAM
UMA SUDHAM SHOKHA VINAASHA KAARANAM
NAMAAMI VIGNESHWARA PAATHA PANKAJAM

BHAJANS
GANESHA SHARANAM SHARANAM GANESHA- 3 TIMES

EKHA THANTHAYA VIDMAHYE
VAKRA DUNDAYA DEEMAHE
TANNO: THANTI PRACHODAYAT

OM SRI GURUPPOYE NAMAH:

GURU BRAHMA GURU VISHNU
GURU DEVO MAHESWARAH
GURU SHASTA PARABRAHMA
TASMAYI SRI GURAVE NAMAH

BHAJAN
GURU DEVA GURU DEVA
GURUVAAYUR PURA HARI DEVA
HARI NARAYANA BHAJA NARAYANA
SARANAM SARANAM SAI DEVA




DURGA

KATTHYAYANAYA VIDH MAHE
KANYAKUMARI DEEMAHI
TANNO: DURGE: PRACHODAYAT.

* Yaadevi sarva butheshu buddhi rupena
samasthitha...
Namasthasyai Namasthasyai Namasthasyai Namo namaha... ( for education and memory power)

*. Yaadevi sarva butheshu SHANTHI rupena
(for happiness)
samasthitha....
Namasthasyai Namasthasyai Namasthasyai Namo namaha

*. Yaadevi sarva butheshu keerthi rupena (for fame)
samasthitha...
Namasthasyai Namasthasyai Namasthasyai Namo namaha

*. Yaadevi sarva butheshu lakshmi rupena (for wealth)
samasthitha...
Namasthasyai Namasthasyai Namasthasyai Namo namaha.

*. Yaadevi sarva butheshu pushti rupena (for feeling content and satisfied)
samasthitha.....
Namasthasyai Namasthasyai Namasthasyai namo namaha..

*. Yaadevi sarva butheshu kaanthi rupena (for health)
samasthitha...
Namasthasyai Namasthasyai Namasthasyai Namo namaha.

*. Yaadevi sarva butheshu dhaya rupena (for kindness)
samasthitha...
Namasthasyai Namasthasyai Namasthasyai Namo namaha.

*yaadevi sarva butheshu MATHRU rupena (GOD )
samasthitha...
Namasthasyai Namasthasyai Namasthasyai Namo namaha.

OM LAKSHMIPATHAYE NAMAHA (3 TIMES) - lakshmi



SARVA MANGALA MAANGALYE
SHIVE SHARVAARTHA SAATHAGE
SHARANYE THRIYAMBIGAE GOWRI
NAARAYANI NAMOSTHUTHE

*. Namosthuthe maha maye
shree peete sura pujithe
shanGu chakra gadha hasthe
mahalakshmi namosthuthe

MAHA DEVYASE VIDHMAHE
VISHNU PATNESA DEEMAHI
TANNO: LAKSHMI : PRACHODAYAT.




Saraswathi

Om Vakdevyaysa vidhmahe
virinji pathneesa Deemahi
Tanno: Vani :Prachodayat.


Saraswathi Namasthubhyam ( FOR GOOD EDUCATION)
Varadhe kama rupini
vidhyarambham karishyami
siddhir bavathume satha...

Devi Sai Maa Devi Saraswathi Maa
Durga bhavani maa Kalikabalini Maa
jagothotharini maa Sai dayakari maa


*. Om adithyaya(Suryaya) namah
Sowmyaya Namah
Mangalaya Namah
Pudhaya Namah
Gurave Namah
Sukraya Namah
Raghave Namah
Kethave Namah



Adithyaya sowmyaya mangalaya Pudayasa
Guru sukra sanipyasa raghave kethave Namah- Navagraha gayathri

RAMA

OM Daasarathaya vidhmahe
Seetha vallabhaya Deemahi
Tanno: Rama : Prachodayat.



Ramaya ramabhadraya ramachandraya vedhache
raghunathaya nathaya seethaya pathaye namo namah

Bhajans
Srirama rama ram
raghunandhanahe ganashyam
sri ram jayaram jaya jaya ram- 3times-(sri rama)

Raghupathe sri ramachandra Raghava Dayanithe
Pasupathe sri parvatheesa sankara sadasiva
Velavaa sri gnana lola shanmugha uma kumara

Om namo Narayanaya vidhmahe
Vasudevaya dheemahi
Tanno: vishnu : Prachodayat.

Bhajans
Narayanaya Hari Narayanaya Hari Narayanaya Hari Narayanaya
Narayanaya Narayanaya Narayanaya….

Vittala Hari Vittala
Vittala Hari Vittala Vittala Hari Vittala
Panduranga vittale Hari Narayana
Purandara vittale bhajo Narayana
Hari Narayana bhajo Narayana
Sai Narayana Sathya Narayana


Anjaneyayar



*. Om namo Anjaneyaya vidhmahe
vayu putra Deemahi Tanno; anumatth; prachodayat

Bhajans

Anjaneyaya Veera anumantha Soora
Vayu kumara vanara veera
sri ram jay ram jay jay ram
sita ram jay radhe shyam

Veera Maruthi kambeera maruthi
Dasa Maruthi Rama Dasa Maruthi
Sai Maruthi Sathya sai Maruthi


Gayathri Devi mantra

*. om bhur bhuvasuvaha
thath savithur varenyam
bargo devasya deemahi
diyo yonaha prachodayat ]]> gsaikripa http://www.indusladies.com/forums/blogs/gsaikripa/slokams-and-bhajans-for-kids-1284/